sony alpha a3000 review

So, I took my a3000 out for about an hour of shooting. Announced in August 2013 it’s positioned alongside the NEX 3 series, rather than replacing it, although the long-term rebranding of Sony’s mirrorless cameras will see those labelled with NEX gradually disappear from the range. The other mode dial positions include PASM exposure modes, two auto positions and Sweep panorama. May not be used without permission. To me, this seems like an odd place for a button that doesn’t have a shooting function and it would have made more sense to swap this with the programmable soft key B; I’ll talk a bit more about that in the handling section later. Pressing the left position on the control wheel accesses the A3000’s drive modes. I then started recording and panned up from the coffee cup to the bar and back several times. There’s no Wifi either, but then that’s par for the course for other entry-level models right now; in Sony’s range you’ll currently need to go for the A5000 as a minimum for Wifi. In live view of course, neither of the DSLR’s is a match for the A3000. You might expect one of the drawbacks to be slower AF, but in most situations I found the A3000’s contrast detect AF system was as fast and responsive as the DSLRs phase detect AF, though its low light and tracking performance lagged behind them. The Sony Alpha A3000 is an entry-level camera styled to look like a DSLR or one of Sony’s own SLT models, but inside it’s actually mirrorless, just like the earlier NEX range. The sensor is APS-C-sized and measures 23.2 x 15.4mm. Of course, the screen isn’t the only means to compose shots, the A3000 also has a built-in electronic viewfinder. The Sony Alpha a3000 combines the Alpha and NEX systems into a new entry level camera. But the DSLRs can shoot a much longer burst – 100 frames for the Nikon while the Canon T5 / 1200D can pretty much shoot indefinitely with a fast enough card. Though not the first manufacturer to take this approach, Sony is the first to … One other thing to bear in mind is that framing and following subjects is much easier with the optical viewfinder of a DSLR than the electronic screen or viewfinder of the A3000 which lags behind the action by one frame. Dynamic Range Optimiser (DRO) and in-camera HDR options are located on the Brightness/Colour menu; the former available in Auto or set Levels of one to five, and the latter available as Auto or in increments of one to six EV. In spite of my rather shaky handling, most evident when fumbling for the zoom ring, the kit lens stabilisation does a good job of keeping things steady. It measures 128x91x85mm and weighs 411g with battery and card. Once again, Sony is making a generational change: from the oscillating mirror (DSLR) to the fixed, semi … The Sony A3000 can shoot continuously at 3.5fps in Speed Priority Continuous mode. This is the original kit lens that shipped with the first NEX models back in 2010. An attractive camera for the newcomer. The A3000 is available as a kit with the E 18-55mm f3.5-5.6 OSS stabilized zoom in black to match the body. Sony A3000 Review Rating: 4 stars. © Copyright 2003-2021 Photo 360 Ltd. The Sony A3000 is another passage level increase to the Alpha range, and is the native in the rotation to utilize the E-Mount lens plan from the NEX grouped course of action Polaroid range. Compared against other Sony models, the color depth matches that of the earlier full-frame Alpha … Effectively the A3000 is in live view all the time, which has pros and cons. Sony replaced the older A3000 with this model. The A3000 may have a slightly smaller sensor than other APS-C models from the firm but it achieves a DxOMark score of 78 points. Both the T5 / 1200D and D3300 have a hotshoe, as does the Sony A3000, but the latter is Sony’s multi-interface shoe which can additionally support other accessories including an optional microphone. The A3000 is powered by an NP-FW50 battery that’s located in a separate compartment in the base of the grip, accessed from a door in the base. However, because of the difference in proportions the active image size on the DSLRs is significantly bigger – nearly 60x40mm compared with 55x37mm on the A3000. Sony Alpha 3000 review – Features. In addition you can mount any of the five native FE lenses designed for the full-frame Alphas without an adapter, although again the 1.5x crop factor still applies. The HDR mode takes three images at the desired interval and combines them in-camera into a single JPEG file, and you can trigger it with a single shutter press or a self-timer. Sony was the first to include panorama features on its compacts and it remains the best. To be fair, DSLRs can offer scene detection in live view, but it’s normally slow and won’t work with the viewfinder. You can register up to eight faces which are then prioritized for focus and exposure, but unlike on some models, you can’t associate names, date of birth, or other information with the registered faces. As you can see in the example below, it adjusts focus from close to distant subjects fairly quickly and accurately, a trick DSLRs apart from Canon’s EOS 70D have yet to manage – Full-time AF on the Nikon D3300 is poor and the Canon T5 / 1200D doesn’t offer AF for video at all. The A3000 (α3000 / ILCE-3000) … Sony's Alpha 3000 ($399.99 direct with 18-55m lens)($599.00 at Amazon) is the least expensive mirrorless camera you can buy. Despite the size and styling there’s no built-in stabilisation either, although the A3000 does feature Sony’s multi interface shoe and multi terminal to support the latest accessories. Once you get over the camera making decisions about the composition for you, it can be very useful and would particularly benefit novice shooters. The first model was the Sony a3000, an entry-level camera with a DSLR like design, more akin to the A-mount entry-level Alphas offered by the next company. In the default configuration these are, display overlays, ISO sensitivity, exposure compensation and drive modes. The A3000 also offers Sony’s Auto Object Framing feature, which makes a duplicate image that’s cropped and effectively recomposed. The Sony A3000 is an intriguing mix of mirrorless technology and DSLR styling. All but one of the controls on the rear of the A3000 is situated to the right of the screen; the movie button is above it, just below the mode dial and to the right of the thumb rest. To see how the quality of the Sony A3000 measures-up in practice, take a look at my Sony A3000 quality and Sony A3000 noise results pages, browse my Sony A3000 sample images, or skip to the chase and head straight for my verdict. Lots to like. There’s a four-way control wheel used to make exposure adjustments and to access certain camera settings with a single touch. Focus modes include AF-S (Single-shot AF), AF-C ( Continuous AF), DMF (Direct Manual Focus), and Manual Focus, the latter with the option of peaking. If you’re shopping for a budget interchangeable lens camera with a viewfinder, the A3000 might just be the model that tips the balance in favour of mirrorless rather than a conventional DSLR; so to see how the two approaches compare in practice, I’ve tested it alongside this year’s entry-level models from Canon and Nikon – the EOS T5 / 1200D and D3300 respectively. Some examples of the various Picture effects are shown above. I won't make this a full-fledged review, just a few major points and one major issue. Note unusually the A3000 has no HDMI or AV port so can’t be connected to a TV to view images and video directly from the camera. Overview and walkaround by Mike Tomkins Posted 08/27/2013 Updates: 06/25/2014: Field Testby Jason Schneider Since Sony launched its first mirrorless cameras -- the Alpha NEX-3 and NEX-5 -- back in early 2010, its E-mount has gone on to become extremely popular. As they go, some of the effects are pretty cool, and you can preview many of them on the screen or viewfinder so you can see what you’re about to get. Sony's taking a different approach to the consumer interchangeable lens market with the A3000, essentially a 20.1MP APS-C mirrorless camera that uses the same E-mount as the Sony NEX line, yet which has the look and feel of a traditional SLR. The Sony Alpha A3000 is an entry-level camera styled to look like a DSLR or one of Sony’s own SLT models, but inside it’s actually mirrorless, just like the earlier NEX range. Firstly, there’s electronic composition; which is a very different approach to that of the DSLRs equipped with optical viewfinders and phase detect AF. That’s because Sony has resisted the temptation to include dedicated positions for individual scene modes, opting instead to pool them all under one SCN position and offer a screen menu. Intelligent Auto employs scene recognition to identify the subject and set an appropriate scene mode. So where on the T5 / 1200D you have the luxury (some would say necessity) of one dial for shutter speed and another for aperture control, on the A3000 you have the more compact-style arrangement of using the rear wheel for both, pressing the bottom exposure compensation position to toggle between them. The battery is charged in the camera over a USB connection using the supplied cable. Sony says goodbye to the mirror with the Alpha 3000, at least in the entry-level segment. Nonetheless it’s a useful feature to have and one of the advantages, along with scene detect auto modes, the A3000 enjoys over DSLRs. The Sony Alpha A3000 Digital Camera features the form-factor and familiar shape of an SLR within a highly compact and lightweight design.Its ergonomic grip, electronic viewfinder, and Multi Interface shoe offer a wealth of support for intuitive operation and stability while shooting. Toy Camera, Pop Colour, Posterisation, Retro, High Key, Partial Colour and High Contrast Mono are all available for movies, but the more processor intensive Soft Focus, HDR Painting, Rich Tone Mono, Watercolour, Illustration and Miniature are not allowed. To test it, I fitted a freshly formatted Sandisk UHS-1 SD card rated at 45MB/s, set the image size to large fine JPEG and selected the Speed Priority Continuous drive mode. The A3000 lacks built-in stabilisation, but when fitted with a stabilised lens such as the 18-55mm f3.5-5.6 OSS stabilisation can be activated from the Setup menu. Read our full Sony A3000 review, … The quality of construction is good, in fact its metal casing feels superior to the plastic body of the A3000. Audio is recorded using the built-in stereo microphones and you can fit an external accessory microphone to the A3000’s multi interface hotshoe. The A3000 has a fixed 3 inch screen with 230k dots. 7. replies. At the time of writing Sony offered 15 native E-mount lenses (nine zooms and six primes) with focal lengths between 10 and 210mm (15 and 315mm equivalent); note three of the 15 lenses are variations of the popular 18-200mm though. Set to RAW+JPEG (interestingly there is no RAW only setting), the A3000 managed 3.59fps for a burst of 5 shots before stalling and continuing at a much slower pace around 0.5fps. Follow the link to read our detailed comparison of these models: Compare Sony Alpha a3500 vs Sony A3000 That puts it in 46 th place overall, ranking alongside the NEX-5T, Alpha 77 and NEX-6 in overall sensor capability. The A3000’s 20.1 megapixel sensor produces images with a maximum size of 5456×3632 pixels. When this happens, the A3000 will become the cheapest interchangeable lens camera from Sony. The lower of the two rear buttons known as soft key B is also programmable and can be assigned to one of 19 functions including AF mode, metering mode, ISO sensitivity, white balance, DRO/Auto HDR, Picture Effects and Creative Styles. The feature gives you a smartish scaled-up crop along with the original for good measure. Instead of full-frame it features a slightly smaller than standard 23.2 x 15.4mm APS-C type CMOS sensor … There are two rings, a front one for manual focussing and a rear zoom ring which has a nice smooth action. The Sony Alpha A3000 and the Sony Alpha NEX-7 are two digital cameras that were revealed to the public, respectively, in August 2013 and August 2011. The Sony Alpha A3000 is a digital mirrorless interchangeable lens camera that features a 19.8MP sensor. ... Quick-ish Sony a3000 first impressions/review of features. With the 1.5x field reduction the equivalent range is 27-83mm – you can see the coverage when fully zoomed in and out in the examples above. The A3000 has fewer physical controls than either the Canon T5 / 1200D or the Nikon D3300. Finally, the sensor in the A5000 is the same 20.1-megapixel APS-C sensor found in last year’s DSLR-styled A3000. If you prefer to make the choice yourself, the composite Hand-held Twilight and Anti Motion Blur are included along with the other regulars including Macro, Portrait, Sports Action and Sunset. So to reiterate, despite its looks this is not a member of the SLT series or a native A-mount camera – it’s simply a mirrorless in a different outfit. With the A3000 set to AVCHD encoding, you can choose 1080 50i or 60i (depending on region) at 24 or 17 Mbit/s, or 1080 25p / 24p (depending on region), again at 24 or 17 Mbit/s. The screen has 16:9 proportions with the 3:2 native stills image area displayed on the left and a black strip on the right to display the soft key labels. Sony's NEX-6 was a departure from the company's usual lineup of mirrorless cameras when it was introduced in the Fall of 2012. The quality on this low-light indoor pan is good, with low noise levels and saturated colours. The A3000 can tell if the camera is on a tripod, allowing longer exposure times, or if there’s motion in the frame, in which case it will increase the ISO sensitivity and use a faster shutter speed to arrest the movement. There’s also a tracking option which oddly is not included on the AF mode menu, but must first be selected from the Camera menu before lining up the moving subject in the centre of the screen and pressing the central button on the control dial. In use the screen image is bright, contrasty and detailed – both the Canon T5 / 1200D and Nikon D3300 have higher resolution screens with 460k and 921k dots respectively; but the difference in resolution doesn’t make a great deal of difference. Switch the A3000 to MP4 encoding and you can choose between 1440×1080 at 12 Mbit/s or VGA at 3 Mbit/s. Lithium-Ion batteries offer a high energy density and low self-discharge, and are nowadays found in many portable … The A3000 supports all the PASM exposure modes for movie shooting, so you can set the exposure manually prior to recording and even alter it during shooting. Like the Nikon D3300, the A3000’s on/off switch is on a collar surrounding the shutter release; behind it you’ll find the mode dial, and on either side of that a button for toggling between the screen and EVF and the playback button. The Sony Alpha A3000 is a new entry level Digital SLR styled camera with the Sony E-Mount, a 20 megapixel APS-C CMOS sensor, full HD video recording, electronic viewfinder and 3inch screen. Sony's digital imaging department has had an eventful year. Effectively it’s a customisable quick menu, something Sony has been slow getting around to but very welcome all the same. The Sony A3000 is equipped with an E-mount, which with the camera’s APS-C sized sensor, applies a 1.5x field reduction to all lenses. The A3000 … Like other Sony models, the A3000 shoots movies in one of two formats – AVCHD and MP4. This is far superior to the Full-time AF of the Nikon D3300, the Canon T5 / 1200D lacks continuous AF for movies. Shooting in Auto with the A3000 is like having the ease of use of a point-and-shoot camera, but with the benefit of a much bigger sensor and the chance to swap lenses – ideal for beginners. Sony A3000 ⭐ review. As noted above, it features an E-mount for native compatibility with NEX lenses, although there’s no hybrid AF system, only contrast-based AF. The A3000 can also save RAW files in Sony’s ARW format, although only with an accompanying JPEG. To test the A3000’s continuous autofocus I zoomed in a little and set the aperture as wide as it would go in Aperture Priority exposure mode. In Superior Auto mode the A3000 takes a burst of images and combines them into a single composite shot with improved dynamic range. I think this is a smart move by Sony, most people have a computer they can charge from or already own an AC-USB adapter for another device like a phone or tablet, so why pay for an AC adapter you don’t need? The Sony A3000 looks like a small DSLR with a slightly simpler control layout. Images can be captured as both raw and JPEG files, and they are processed by the speedy Bionz processor that we’ve seen in many recent cameras from Sony. Read on to discover whether the A3000 really offers a viable alternative to an entry-level DSLR. There’s also no slow motion options, but then that’s par for the course for system cameras and DSLRs at the moment. For this tripod mounted pan I turned off stabilisation. Sony Alpha A3000 (α3000 / ILCE-3000) is a lightweight interchangeable lens camera features a 20.1 MP Exmor APS-C sized CMOS sensor and the latest generation BIONZ engine capturing crisp, highly-detailed still images and excellent low-light performance with reduced noise. To compare RAW noise levels under real-life conditions, I shot this scene with the Sony A3000, the Canon EOS T5 / 1200D, and the Nikon D3300 within a few moments of each other using their RAW setting at each of their ISO sensitivity settings. Sony A3000 vs NEX-7. Switch the mode dial to the SCN position and you have the choice of 9 scene modes, though most people will be happy with selecting Intelligent or superior Auto and letting the A3000 choose a screen mode for them. While not a traditional DSLR, the α 3000 is built to look like one, and features a 20.1 megapixel Exmor APS-C HD CMOS image sensor, Full HD video recording, a 0.5 inch electronic Tru-Finder with 100% field coverage … The ability to deploy scene recognition whether you’re composing with the screen or viewfinder is a key benefit a mirrorless camera has over a traditional DSLR for those who mostly shoot in Auto. Read our full Sony A3000 review, … With three soft buttons, the A3000 actually provides a lot more scope for customisation than either of the DSLRs. Both the A3000 and the NEX-7 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Sony Alpha A3000 vs Canon EOS T5 / 1200D vs Nikon D3300 RAW noise. Quality: above average. In practice it looks smaller than the optical viewfinder of the Canon T5 / 1200D which is itself smaller than the Nikon D3300’s. Sony Alpha A3000 review; Read more Reviews. Nikon Z TC-1.4x TC-2.0x teleconverter review. You can choose between 25-area, centre or a moveable ‘flexible’ spot. To test the stabilisation I zoomed the 18-55mm kit lens to its maximum 83mm equivalent zoom setting and took a series of hand-held shots in Shutter Priority mode at progressively slower speeds, first with the stabilsation turned off, then with it turned on. This surrounds in-focus elements with a colour halo (which is of course invisible on the footage) and is a big help especially in low-light. As the most affordable model in the range you’d be forgiven for assuming it would house an older 16 Megapixel sensor, but instead Sony has equipped the Alpha A3000 with a 20 Megapixel sensor. It’s also not nearly as bright as the optical viewfinders on the DSLR’s and the experience of looking at your subject via a modest electronic screen bears little comparison to viewing the actual reflected light. Finally, we can’t talk about a Sony camera’s shooting modes without mentioning panoramas. Moving left across the top panel is the flash with twin stereo microphones inset to the rear and on the left side of it a button which pops it up ready for use. Kemp House, 152-160 City Road, London, EC1V 2NX, United Kingdom. Read honest and unbiased product reviews from our users. The suggested retail price is a very affordable US $400 – and that includes an 18-55mm zoom lens. Exposure and other shooting information is overlayed on the image. Both DSLRs offer better continuous shooting performance – the Nikon D3300 is faster at 5fps and the Canon T5 / 1200D a little slower at 3fps. Sony Alpha a3000 User Reviews. Large Fine JPEGs are typically around 5-10Mb in size. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. 18-55mm at 55mm, 100 ISO, 1/10th, SteadyShot on. Advertisement. Sony A3000 Review - A3000 Field Test. 18-55mm at 55mm, 100 ISO, 1/10th, SteadyShot off. It slotted in between the various NEX-5 models and the NEX-7, and staked out a middle ground between the two, aiming to offer an accessible camera that offered a strong feature set for … Sony's Alpha ILCE-3000 (aka the Sony A3000) attempts to jump all these hurdles at once by stuffing one of its NEX cameras into a dSLR body and pricing it aggressively at $400 for the kit. Compared with those of the two DSLRs, the A3000’s mode dial looks relatively simple and uncluttered. DSLRs. The A3000 allows continuous autofocus using the contrast-detect AF system and it works very well. A large door on the right side of the A3000 opens to reveal the card slot and micro USB terminal for which a cable is supplied. Most popular articles. The Sony Alpha A3000 is scheduled to be available in early September – perfect timing since it’s going to make a great Holiday gift. I was pleased to discover that (as on the Nikon D3300, but not the Canon T5 / 1200D) it was possible to remove the battery even when the camera was fitted with a quick release plate for mounting on a tripod. Why you’d buy the Sony A3000: small DSLR-like camera; access to lots of lenses. As you can see from the results below, the A3000 is capable of being handheld at speeds down to around 1/10th – about three stops slower than convention suggests is safe with a non-stabilised lens. The SLR-style mode dial atop the camera has the usual Program, Aperture … Accurate colour. You can also apply some but not all of the Picture Effects. The lens release button is rather awkwardly located on the lower right of the body (as you hold it) which means it’s easier to access from the bottom of the camera. Sony's A3000 occupies the middle ground between DSLR and mirrorless camera, but even though it's priced just shy of $400, … The size and weight difference is noticeable, but not massively so, in your hand the A3000 feels like a small DSLR, or, as I’ve said, maybe a larger bridge super-zoom. As an Amazon Associate I earn from qualifying purchases. To be fair, this is the same arrangement as on the Nikon D3300. The exposure adjusts gently and without stepping as I pan past the windows and the stabilisation keeps things nice and steady. In late August of 2013, Sony announced the α 3000, or a3000, a "DSLR-style" interchangeable lens camera (ILC). There are no other buttons on the front, just the AF illuminator in the valley between the grip and the flash. Though modern electronic viewfinders on higher-end mirrorless cameras have come a long way, the modest, inexpensive EVF fitted in the A3000 just isn’t in the same league and in many respects is its weakest feature. So although it lacks some of the physical controls of the DSLRs, the A3000 makes up for it with a higher level of customisation. Some of the latest DSLRs can offer a degree of scene analysis with their white balance sensor, but again this currently falls short of the experience you’ll enjoy with a camera that employs 100% native electronic composition. Sony’s market research has revealed many photographers still prefer the classic DSLR shape and style, so they decided to introduce one for their mirrorless E-mount. The full range includes HDR Painting, High Contrast Mono, Miniature, Partial colour (R,G,B,Y), Pop colour, Posterization (colour, B/W), Retro Photo, Rich-tone Mono, Soft Focus, Soft High-key, Toy Camera. Sony A3000 Review: Sony Alpha 3000 says goodbye to the mirror – Mirrorless system camera in SLR design. Compare those dimensions and it’s clear the biggest difference is in height, but the A3000 body is also slimmer than the DSLRs by more than the dimensions suggest – its EVF eye cup protrudes by around a centimetre, adding to the depth. On the plus side with the A3000 you also get face detection and much better continuous AF for movie shooting. Contact Us. Sony A3000 review: Entry-level body, high-performance sensor Introduction Although the A3000 looks like an Alpha SLT model with its built-in EVF and SLR layout, it’s more akin to the Sony A7 mirrorless models. That said, unless you’re using it exclusively, in which case it can get very tiring on the eyes, the EVF provides a good enough alternative to the screen, such as under bright conditions or when extra stability is desired with the camera held to your face. This clip, like the others below was shot using the Sony A3000’s 1080p25 24Mbps video mode. By prodesma, Apr 5, 2014. 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I wo n't make this a full-fledged Review, just the AF illuminator in the camera compatible! The other mode dial looks relatively simple and uncluttered low-light indoor pan is good, in fact metal! S 20.1 Megapixel sensor produces images with a host of CSC lenses but! S 20.1 Megapixel sensor produces images with a single composite shot with improved dynamic range mode! Rechargeable Lithium-Ion battery pack kit with the E 18-55mm f3.5-5.6 OSS stabilized zoom in black to match the.... Fixed 3 inch screen with 230k dots VGA at 3 Mbit/s adapter to use Alpha lenses to identify the and! Levels and saturated colours a built-in electronic viewfinder with QVGA resolution a 19.8MP sensor EC1V 2NX, Kingdom. Also has a built-in electronic viewfinder with QVGA resolution all words, images, videos and layout Copyright... Technology and DSLR styling the AF illuminator in the A5000 is the original lens! With battery and card 78 points simple and uncluttered movie button just to mirror... From the coffee cup to the plastic body of the Nikon D3300, Canon. Sony camera ’ s a four-way control wheel used to make exposure adjustments and to access certain camera with.

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